Welcome to New London. Everybody is happy here.
Our perfect society achieves peace and stability by dispensing with monogamy,
privacy, money, family and history itself. Now everyone belongs. You can be
happy too. All you need to do is take your Soma pills.
This is the brave new world of Aldous Huxley’s deeply
sinister and prophetic novel, a society based on maximum pleasure and complete
surveillance – no matter the cost.
'A masterpiece of speculation... As vibrant, fresh, and somehow shocking as
it was when I first read it' Margaret Atwood, bestselling author of The
Handmaid's Tale
'A grave warning... Provoking, stimulating, shocking and dazzling' Observer
**One of the BBC's 100 Novels That Shaped Our World**
About the Author
Aldous Huxley was born on 26 July 1894 near
Godalming, Surrey. He began writing poetry and short stories in his early 20s,
but it was his first novel, Crome Yellow (1921), which
established his literary reputation.
This was swiftly followed by Antic Hay (1923), Those
Barren Leaves (1925) and Point Counter Point (1928) –
bright, brilliant satires in which Huxley wittily but ruthlessly passed
judgement on the shortcomings of contemporary society.
For most of the 1920s Huxley lived in Italy and an account
of his experiences there can be found in Along the Road (1925).
The great novels of ideas, including his most famous work Brave New
World (published in 1932, this warned against the dehumanising aspects
of scientific and material 'progress') and the pacifist novel Eyeless
in Gaza (1936) were accompanied by a series of wise and brilliant
essays, collected in volume form under titles such as Music at Night (1931)
and Ends and Means (1937).
In 1937, at the height of his fame, Huxley left Europe to
live in California, working for a time as a screenwriter in Hollywood. As the
West braced itself for war, Huxley came increasingly to believe that the key to
solving the world's problems lay in changing the individual through mystical
enlightenment.
The exploration of the inner life through
mysticism and hallucinogenic drugs was to dominate his work for the rest of his
life. His beliefs found expression in both fiction (Time Must Have a Stop,1944,
and Island, 1962) and non-fiction (The Perennial Philosophy,
1945; Grey Eminence, 1941; and the account of his first mescaline